Beech trees and structure
We will look for clean positions among the trunks, using paths, leaves and openings in the forest to give depth to the scene.
Two days in the Marche, from the vertical structure of the beech trees of Canfaito to the lines of the Conero coast.
Canfaito and Conero require different photographic choices. In the forest, we'll work on the order between the tree trunks and the passage of light; along the coast, we'll use profiles, horizons, and the movement of the water to construct more open images.
The Canfaito beech forest allows for the study of depth, repetition, and separation of planes. The position changes the relationship between the trunks even with just a few steps, so the work on the composition is continuous.
Conero shifts attention to the coast. Here, the design of the promontory, the surface of the sea, and the balance between the foreground and the horizon become central.
The program will depend on light and weather. Times and meeting points will be communicated to participants after the final inspection.
The final photographs will replace these placeholders. Each box indicates the subject and the image crop to be inserted.
We will look for clean positions among the trunks, using paths, leaves and openings in the forest to give depth to the scene.
We will also work on tighter shots, checking contrasts and distractions at the edges of the frame.
On the coast we will compare shutter speeds and compositions, keeping the land profile and the sea surface legible.
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